In some ways, Tom Davenport’s new film is a companion piece to my book, The Last Lynching in Northern Virginia. But in other ways, it is very different.
Viewers will soon have a chance to see these similarities and differences. The Other Side of Eden: A Southern Tragedy will premiere next month in Warrenton. The showing will be held on Saturday, May 13, at 7 p.m. at the Highland School Center for the Arts, 597 Broadview Avenue. It is free and open to the public.
Tom has been working on the documentary for four years or 23 years, depending on when you date his initial interest. The film includes interviews from 1994 and 1997, but he recorded most of the material beginning in 2013, when he and I started working together. Tom and I shared documents and photographs, and I benefited greatly from his knowledge of the county, his contacts, and the research that he and Shawn Nicholls, his assistant, did. Tom, Shawn and I filmed at least a dozen interviews together, with me asking many of the questions and Tom filming over my shoulder. Tom will be 78 in June and has more than two dozen films to his credit. This is the first he’s done since last year’s follow-up to his 1986 film, A Singing Stream.
In The Other Side of Eden, viewers hear the story of Shedrick Thompson, his attack on Henry and Mamie Baxley in their home in 1932, and his subsequent lynching on Rattlesnake Mountain. The story is told by those who lived in Fauquier at the time, and by those who learned about it from their families and friends. It is clear from their testimonies that the incident had a profound effect on those directly involved, but also on the Baxley and the Thompson families. And on the community. The resistance Tom has encountered in compiling and showing his film, and the difficulty I have had in marketing the book in Fauquier, are measures of this. In my opinion, Thompson’s murder is an open wound in Fauquier, unacknowledged after almost 85 years, a story that still can’t be told.
But Tom expands on the lynching story, and in this way his film differs from my book. Tom explores a Depression-era feature of the racial climate in Fauquier: how white men of power fathered children out of wedlock with their black help. Several claims of this are offered in the film, including one involving Henry Baxley Sr. Shawn has been dogged in compiling evidence, and she believes that Baxley fathered a child by Mattie Wilkins, his black cook. There’s no known link between Mattie Wilkins and Shedrick Thompson, or Ruth Thompson, Shedrick’s wife, who was also a cook for the Baxleys. But Tom believes that this climate of what he calls “white sexual dominance” in Fauquier may have poisoned Thompson’s marriage and incited his violence against the Baxleys. The viewer gets to decide next month.